Episode 4 Show Notes

Wherein Jacob and Adrienne talk about how much a person can do, what "the audience" wants and the pros and cons of independent theatre festivals for developing new work.

They also talk about

the benefits of leaving hang-out space when programming cultural events,
whether David Mamet is a cheery sort of guy,
different forms of community theatre,
the importance of doing it yourself,
starting where people are,
the relative merits of patronage,
crowd-sourced funding,
Adrienne's approach to writing Final Reports,
Jacob's waves of Vancouver-envy,
when the audience's experience of a show begins,

LINKS TO THINGS WE TALK ABOUT

Jacob on Twitter and on Instagram
Adrienne on Twitter
Fun Palace
Rhubarb Festival
Buddies in Bad Times
Dedicated to the Revolutions
What do theatre audiences want?
Roller Derby
The Scoop
Jason and the Argonauts
Medea
Three Penny Opera
Difficult Plays and Simple Songs
Erik Ehn, "The choir needs to hear music, too."
"Equity" - Canadian Actors' Equity Association
Bell curve
The guy that Jacob follows on the internet who makes incredibly useful things is Brett Terptra.
The name of the nanny whose photography was rediscovered is Vivian Maier
Emily Dickensen's work was published during her lifetime, but it was only after her death that the "breadth of her work" (Wikipedia) was revealed.
The Internet Archive
Anecdotal Evidence
PodPlays
Maiko Bae Yamamoto
Theatre Replacement
PuSh International Performing Arts Festival
Summerworks Festival
Conversation Starters
Anne Bogart