Episode 4 Show Notes

Wherein Jacob and Adrienne talk about how much a person can do, what "the audience" wants and the pros and cons of independent theatre festivals for developing new work.

They also talk about

the benefits of leaving hang-out space when programming cultural events,
whether David Mamet is a cheery sort of guy,
different forms of community theatre,
the importance of doing it yourself,
starting where people are,
the relative merits of patronage,
crowd-sourced funding,
Adrienne's approach to writing Final Reports,
Jacob's waves of Vancouver-envy,
when the audience's experience of a show begins,

LINKS TO THINGS WE TALK ABOUT

• Jacob on Twitter and on Instagram
• Adrienne on Twitter
• Fun Palace
• Rhubarb Festival
• Buddies in Bad Times
• Dedicated to the Revolutions
• What do theatre audiences want?
• Roller Derby
• The Scoop
• Jason and the Argonauts
• Medea
• Three Penny Opera
• Difficult Plays and Simple Songs
• Erik Ehn, "The choir needs to hear music, too."
• "Equity" - Canadian Actors' Equity Association
• Bell curve
• The guy that Jacob follows on the internet who makes incredibly useful things is Brett Terptra.
• The name of the nanny whose photography was rediscovered is Vivian Maier
• Emily Dickensen's work was published during her lifetime, but it was only after her death that the "breadth of her work" (Wikipedia) was revealed.
• The Internet Archive
• Anecdotal Evidence
• PodPlays
• Maiko Bae Yamamoto
• Theatre Replacement
• PuSh International Performing Arts Festival
• Summerworks Festival
• Conversation Starters
• Anne Bogart